An extremely rare documentary about Witchcraft aired once in the UK in 1971. Featuring contributions from Eleanor Bone, Cecil Williamson, Alex & Maxine Sanders [above], Doreen Valiente et al. Very much of its time and with some very rare footage, also includes reference to the famously unsolved murder of Charles Walton on Meon Hill
15/31 Days of Halloween
- Halloweentown (1998) "Magic is really very simple. All you need to do is want something, then let yourself have it!"
Tyler Posey for Sergentee
“Do what you love” disguises the fact that being able to choose a career primarily for personal reward is a privilege, a sign of socioeconomic class. Even if a self-employed graphic designer had parents who could pay for art school and co-sign a lease for a slick Brooklyn apartment, she can bestow DWYL as career advice upon those covetous of her success.
If we believe that working as a Silicon Valley entrepreneur or a museum publicist or a think-tank acolyte is essential to being true to ourselves, what do we believe about the inner lives and hopes of those who clean hotel rooms and stock shelves at big-box stores? The answer is: nothing."
other quotes from the article i really like:
"According to this way of thinking, labor is not something one does for compensation but is an act of love. If profit doesn’t happen to follow, presumably it is because the worker’s passion and determination were insufficient. Its real achievement is making workers believe their labor serves the self and not the marketplace."
"Do what you love and you’ll never work a day in your life! Before succumbing to the intoxicating warmth of that promise, it’s critical to ask, “Who, exactly, benefits from making work feel like nonwork?” “Why should workers feel as if they aren’t working when they are?” In masking the very exploitative mechanisms of labor that it fuels, DWYL is, in fact, the most perfect ideological tool of capitalism. If we acknowledged all of our work as work, we could set appropriate limits for it, demanding fair compensation and humane schedules that allow for family and leisure time."
What does Hollywood typically get wrong about Latino portrayals? That we all walk around with a sombrero on our head, a jalapeño in our hand and a taco in the other one. That’s never been reality. We all are proud of where we come from, no matter what religion or culture we’re in. We all love our family; we all love our tradition. That pride does not go anywhere. But do we wear a flag on our shoulder? No. Are we always speaking Spanish and pregnant? No. That is so very far few and between, and that goes across the board. There is nobody exempt of going through hardships or going through success. What we get incorrect in this industry is that the Latino story is different than any other story. Or the black story is any different than any other story. We don’t want to only be limited to our world, or our skin color. We want to transcend. We want to be invited to the same party as everybody else. (x)
Tbh money would solve all of my problems right now like I could move out and pay for school and take care of my mental health and overall I would just be happy and in a better place so I get really annoyed when people are like “money can’t make you happy” uh you obviously never experienced financial instability and dependence so please shut the fuck up you pretentious shit.